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Listed in genres:
· Drones, Dark Ambient
· Electronica, Ambient
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Notes:
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apostrov starts its release programme with «crosshatch» by the berlin based composer and musician sciss. the 18-minute mini-cd appears to be a crystallization of the artist's live performances. during the recent years through many concerts, sciss has created a kind of alter ego. it has an individual independence and freedom distinct from his studio works like «stamina» or «residual». it is the well-prepared but equally improvising live situation of asynchronous tape tracks being mixed, filtered, alienated and sampled, where the meditative and the spontaneous elements meet. «crosshatch» is a rearranged and intensified version of the dienstbar concert in october 2003 in the church of the holy cross – the concert as a space inside a space, earthly headquarter inside the celestial.
no coincidences: alike the initial mover, the piece begins with a soft stroke which unfolds a unidirectional 'dynamic' energy throughout the first part. die dancing figure arises from a ducked position, heads straight forward but turns out to be a vulnerable object. maximally reduced but nevertheless exploring the properties of tortuousity, the listener is thrown into a panopticum comprised of shattered items. a visual presentation of synchronous, different viewpoints, phrases which revolve, counterparts that are not contradictory. a concealed pompe des nuages is operating and produces castings and spew outs as a new landscape. what is a poetic affection? distant sound traces cautiously underline the barren foreground like sheet lightning. and right in the middle of it a short melodic fragment, like an obelisk standing on a grey deserted square, its skin made of oil.
a distressingly premature return of the oreille from its embryonic separation to the real, yet echoing world.
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