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Listed in genres:
· Soundscapes, Field Recordings
· Cut Up, Plunderphonics, Sound Collage
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Notes:
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this cd collects live recordings from 1999 to 2002 of the programs "schnitt!" and "untertagemusik_nr.1"
"Schnitt!" is a live-performance with open-reel analogue tape machines.
"Schnitt!" is a live-loop-scratch-concert, a noise- and sound-composition, a sound-play
"Schnitt!" is a composition with sounds of nature, everyday-life sounds, machine sounds, heart beats and sine tones.
The instruments of the "Schnitt!"-performance
are two tape recorders:
1.) a conventional analogue open-reel stereo-machine with prepared sounds, tones and noises on conventional analogue open-reel stereo-tapes,
2.) an analogue open-reel 8-track recorder, on which a tape-loop is spinning round.
Like a DJ Frank Niehusmann mixes samples, cuts, fragments and passages from his prepared stereo-tapes into the circular course of the 8-track loop, thereby creating a dense, rhythmic network of sound-cuts and noise-combinations.
The original sound of drummers on the Marrakech market stands equally to the bass tone of industrial machines in Germany, synthetic frequency-modulation, scottish bagpipers, dolphins, laughing children, rain drops, Diesel engines and much more.
One sees Niehusmann plays with the buttons and knobs of the machines: forward, rewind, start, stop, play, changing the loops, play again, scratch, dacapo ...
Reviews on SCHNITT!-concerts:
The Order of the Loop
The stage set-up is as minimal as it is thought out: sound material from Niehusmann's extensive archives is played from a 2-track tape machine onto 8 tape loops, one at a time, on an 8-track tape machine in which the 8 tape loops of varying lengths are threaded. The system itself - a loop in which you can watch the sound material moving, so to speak; the manipulation stations are open for everyone to see. This transparency is the basis for Niehusmann's concept, which he presents strictly as a ritual. Carefully threads the tape, starts, bends to the right towards the 8-track machine to record, mix and delete with a precision that can be read in the language of his body, turning the sounds into 8 noise scenarios whose basic rhythms are determined by the length of the tape loop, broken and compressed innumerable times through his DJ-like treatment. The shaman appears in the music, while the presentation does not drop the ritual even in the intervals between the pieces: each of the looped tapes is handed over to a guest - a highly abstract object of devotion, as he had pointed out that the loop is empty both before and after the piece.
Niehusmann himself is a component of his system, forces himself onto the audience - and that is a rarity in the world of noise music where the artists tend more and more to disappear, together with their laboratories, behind white fluorescent apples, compensating for a lack of stage presence, if at all, in multimedial form. A video does not sweat - he does, a little, and later, in the lobby, he snorts in satisfaction about the performance, which impressed even the most cunning of the Experimental veterans: even they! had never used a tape machine like that; ... Musique concrète for the knowledgeable and for the neophyte ...
Sonia Roelke about the "Schnitt!"-concert at "Hoerbar" (Hamburg/Germany), 26 April 2002, in: "tba fanzine"
The sounds of "Untertagemusik Nr.1" were recorded underground in the depth of 1000 meters. Frank Niehusmann was there with a very special recording-equipment. His interest in this sound-world comes from his place of birth: the Ruhr area in Germany, an old industrial area which is changing into newer economies. But some of these underground mining places are still working: the very last of them. In a few years there will be absolute silence in the "holes" 1000 meters under the streets.
The method of composing and performing this music:
1) digital preparation of the recorded sounds with audio-software and computer;
2) organizing a set of selected sounds into one line on an analogue stereo tape;
3) playing these sounds from the analogue 2-track-tape "live" into selected tracks of a rotating 8-track tape-loop.
This way of composing and performing "Untertagemusik Nr.1" is the same like used for the work "Schnitt!"
The special point in "Untertagemusik Nr.1" is the special collection of the underground mining sounds.
There are single moments in "Untertagemusik Nr.1" when you hear additional sounds programmed by Frank Niehusmann himself on a synthesizer: his personal waving "good-bye" to this underground sound world.
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