|
|
| |
Listed in genres:
· Electronica, Ambient
· Drones, Dark Ambient
|
|
Notes:
|
2CDs in digipak.
Kinetix is the new moniker of Gianluca Becuzzi (LIMBO). Kinetix second official release on SmallVoices, "White Rooms" is a work which conjugates radical electronica and expressive power in a unique formula made of stylised and very personal minimalist sound-design. The relationships between physical space and acoustic space constitute the main theme of this double-CD, packaged in an elegant digipak. "White Rooms" is a limpid digital gallery through which the listener is invited to discover bright and resounding spaces, white flats inhabited by concrete sounds, ultra-frequencies, noises, voices and silences. An aesthetic experience placing itself beyond the genres in territories of pure contemporary avant-garde.
The relationships between physical space and acoustic space constitute the main theme of this work. We can subdivide the tracks composing "White Rooms" in four sections distributed in two compact discs. The first CD (CDA) includes the first three sections, each of them made of three tracks. The second CD (CDB) includes the fourth section made of only one track. Each section considers a single dimensional aspect of the physical space to freely translate it into sound-design in conformity with the following order:
CDA (46:04 min.):
A-section:
Inside the room (presence of sound) / Outside the room (absence of sound) > Volume of sound.
AA-section:
Length of the room (length of the sound event) > Time.
AAA-section:
Height of the room (height of the sound event) > Frequencies.
CDB (46:04 min.):
B-section:
Volume of the room (resounding space) > Space.
The B-section is specifically planned for a sound installation, conceived as it follows: the only track which constitutes this section, made up of frequencies at the limits of the audible range, is played simultaneously through couples of loudspeakers placed inside three empty rooms of different form and size. Inthe composition, the author didnīt use any artificial reverberation: this way, the differences in the listening we can experience inside each room is only determined by the spatial variable. In transit through the three rooms, the listener can essentially hear "the sound of space" itself. As a matter of fact, the author inverts the usual order in which the composition should be played in a space, letting the space play the composition.
The WHITE ROOM become sound.
|
| |
|
